OLYMPIA 3
AoIP Digital Commentary Unit
Olympia 3 has been designed for use in large events with hundreds of positions in a single stadium or in multi-venue events, as well as in modest installations where the Commentary Unit operates autonomously or linked to the infrastructure of an Intercom System.
Control and Intercommunication Software. Allows to assist commentators without the need for specific hardware
Local I/O allowing wireless system connection for interviews and summing to any main I/O of the unit
4 solid-state ID message memories and tone generator assignable to any output bus for easy setup and alignment of audio levels
Functional
Description
Applications
Remote production of sporting events
Broadcasts on mobile units
Off tube and simultaneous translation booths
Operating Modes
Commentator
Intercom
Software
OLYMPIA 3 CU CONTROL
Application that allows to control the CU in real time, with a display similar to the CU surface, including intercom and vumeters (in addition to presence detectors with the application folded).
OLYMPIA 3 CU CONTROL performs remote control of the positions, even with parallel control of the equipment controls, for use by untrained speakers.
Technical Details
General Features
Communications interfaces
-Internal Ethernet Switch with 3 external 1Gbps/100 Mbps ports with RJ45 connectors. One of these ports supports PoE+ power supply. Firmware and configuration protection for unused ports in order to avoid unauthorized system access through them.
Other features
– Standard test signals (tone and pink noise).
– 2 x line identifier recordings.
– External delay and CU linking when used in combination with BC2000D and Conexia routers.
– Replay of the latest message received by Intercom.
Physical specifications
– Front panel interface with keyboard, LED signaling, rotary menu
navigation encoder, 3 OLED graphic displays and 3 LED vu-meters.
– Operating temperature: 10 to +45 ºC (14 to 114 º F).
– Dimensions (W x D x H): 302 x 270 x 100 mm. (11 57/64 x 10 5/8 x 3 15/16 in).
– Weight: 2,500 gr. (5lb, 8.2 oz).
– Redundant 48VDC power supply. Power consumption: 15W max. PoE+ and external 90-263V 50/60 Hz adapter input.
Inputs
Microphone inputs
– Assigns audio, IP phone and chat circuits to the different studios, univocally.
– 3 x XLR-3 female inputs.
– 48V Phantom power supply.
– Input impedance: > 2 K Ω.
– Electronically balanced preamplifier with digital gain control in 1dB steps.
– Nominal gain set to 62 dB (-58 dBu input is required to obtain a nominal -20 dBFS level).
– Preamplifier analog gain range: -36 dB to +19 dB referred to the nominal setting.
– Digital input gain range: -∞ to +24 dB.
– Equivalent input noise: -126 dBu. @ 200 Ω source.
– Bandwidth: 20 to 20,000 Hz @ +/- 0.5 dB.
– THD+N: <0.02 % @ 20 to 20,000Hz,- 40 dBu.
– Maximum input level: -2 dBu.
Line inputs
– 2 x XLR-3 female inputs.
– Electronic balancing.
– Input impedance: >20 Kohms.
– Maximum input level: 24 dBu.
– Nominal level: +4 dBu (-20 dBFS).
– Noise: -83 dBu.
– Distortion: <0.005 % @ 20 to 20,000 Hz.
– Bandwidth: 20 to 20,000Hz @ +/- 0.5 dB.
– Digital gain adjustment range: -∞ to +24 dB.
Input audio processing
– 2 x XLR-3 female inputs.
– Low pass filter with adjustable crossover frequency between 1
kHz and 20 kHz.
– High pass filter with adjustable crossover frequency between 20Hz and 1 kHz.
– 3-band parametric equalizer. Center frequency (10 Hz to 20
kHz), quality factor Q (0.1 to 20) and Gain (+/- 18 dB) can be
adjusted independently for each band.
– Compressor-Limiter-Expander. Up to 5 zones can be defined.
Threshold (-40 dB to +22dB), attack time (0.5 ms to 100 ms),
release time (10 ms to 10 s), compression rate (1:50 to 1) and
gain (0 dB to + 40 dB) can be adjusted independently for each
zone.
– Noise gate: with adjustments for threshold (-72 dB to 0 dB),
attack time (0.05 to 100 ms), release time (0.5 ms to 10 s),
hold time (0.05 ms to 2 s) and range (0 dB to 90 dB).
Outputs
Headphone outputs
– 3 x Stereo ¼” Jack outputs.
– Allowed load impedance: >16 Ω.
– Maximum output level: +6,4 dBu.
– Bandwidth: 20 to 20,000 Hz @ +/- 0,5 dB, 300 Ω.
– Distortion : < 0.05 % @ 0 dBu, 20 to 20,000 Hz, 300 Ω.
– Digital gain adjustment range: -∞ to +24 dB.
Line outputs
-2 x XLR-3 male outputs.
– Electronic balancing.
– Output impedance: < 20 Ω.
– Maximum output level: 24 dBu.
– Nominal level: +4 dBu (-20 dBFS).
– Noise: -88 dBu.
– Distortion: <0.005 % @ 20 to 20,000 Hz.
– Bandwidth: 20 – 20,000 Hz @ +/- 0.5 dB.
– Digital gain adjustment range: -∞ to + 24 dB.
AoIP Inputs and Outputs
Features
– 8 configurable channels. DanteTM Protocol, compatible with AES67. Allows for redundant installation.
– Data format: DANTETM Audio-over-IP technology, featuring:
• Plug & Play technology.
• Precise, sample-accurate, playback synchronization, even
with several switch hops.
• Extremely low and deterministic delay across the whole network.
• Scalable and flexible network topology supporting a large
number of audio transmitters and receivers.
• Operates in a single integrated network for audio, video,
control and monitoring. Compatible with other kinds of traffic when QoS is managed.
• Supports 100 Mbps, 1 Gbps and 10 Gbps network links.
• Uses low cost, “off-the-shelf” network equipment.
• Resolution 24-bit, 48 kHz sampling rate.
• Latency: 1 – 2 ms. (@ 48 kHz, typical, depends on
network quality and complexity).
• Binary rates: 100 Mbps/1 Gbps.
• Maximum cable length between devices or to the switch: 100 meters with CAT5e or better wiring. Use optical fiber links for longer hops.
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